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Writing with God, Wine 101, and Taking Risks

Writing with God, Wine 101, and Taking Risks

A minimalist graphic on a gray background. In the top right, the number “71” is in a slanted, medium-gray font. Below, bold black text reads: “God wants writing partners.”

For years I felt like I was just an actor in my own life, hanging out in a trailer smoking a cigarette as I waited for God to write a scene worth my time.

I don’t think God’s looking for actors. I think He’s looking for writing partners.

He wants us to pull up a chair, a cup of coffee, and create with Him. He wants us to stay up until 3 a.m. going through the painful, laborious, exhilarating process of working with Him on our own life script. Sure, sometimes the story might take on a life of its own, but ultimately I think God wants us to ask and wrestle with the question that is the driving force behind every great story—what does this character really want?

What do I really want?

God wants you to banter back and forth with Him, dream the next plotline—heck, even argue with Him about what should happen next because you’re so passionate about the story you are writing together.

I don’t think God wants us to just watch our own lives with a bag of popcorn and then complain when the story isn’t turning out like we thought it should. I think God wants us to help write the dang thing.

God’s waiting for us to pull up a chair next to that blank page, smile, and ask, “What are we writing next?”

A minimalist graphic on a gray background. In the top left, the number “72” is in a slanted, medium-gray font. Below in bold black text is the quote: “Your ability to learn Wine 101 might be the difference between eating at the Adults’ Table or stuck in a folding chair with the kids.”

Wine.

It’s what adults drink.

Preferably while listening to music that you’ll hear the next day going up an elevator or in a dentist’s office. Even if you have no desire to drink wine, if you’re going to join the Adult Major Leagues you might need to learn how to talk about drinking wine.

WINE 101

Wineology is like chemistry class. You won’t understand a thing at first, but just as long as you don’t mix too many of the wrong terms together, hopefully nothing will blow up. Think I’m exaggerating? Pop quiz hot shot. Do you like your wine smoky? Dry? How about with floral accents or a flourishing bouquet? Maybe you want it cedary or grassy? Intimidated? Don’t you worry that Baby-Bottomed Face.

If you’re not quite sure how to talk about your wine yet, that’s okay. Because how you hold your wine might at least help you fake it through the night.

It doesn’t take a connoisseur to know you don’t dare place wine in a red plastic cup. And don’t even think about pouring it in that gleaming souvenir goblet you bought at Medieval Times. That screams amateur hour.

No, your Wine Chalice must be long and elegant, and you must cup the basin of the glass like you’re holding a frightened bird that just fell out of a cedary tree. Not too hard lest you might hurt the bird, but not too loose that you let it fly away. And whenever that Wine Wizard cometh your way asking you about the earthy undertones, do not panic!

Simply stare at the glass and move it around in three tight circles like you’re trying to rock that small, scared bird gently asleep. Then hold the glass in front of your face like you’re inspecting its broken wing. Sigh slightly, yet contently, like you’ve just identified the place of wing displacement. Tilt your head at a 20–30 degree angle, nod, and then take a small, prolonged experience.

That’s the cork to a bottleful of any proper Wineology. Your future in-law will be patting you on your shoulder and asking your advice on his stock portfolio before you can even say nutty.

A minimalist graphic on a gray background. In the top left, the number “73” is in a slanted, medium-gray font. Below in bold black text is the quote: “The biggest risk of your 20s would be never taking any risks at all.”

Your 20s are not the time to play it small. Please dream. And take calculated risks. Ask yourself the hard questions. Your 20s are this crazy unique season where complete freedom meets overwhelming opportunity.

As you get older and possibly get married and have children, making a big life change is going to be much more difficult. Don’t waste the wide-open spaces of your twenties. Explore. Take chances. Walk in faith not in fear.

However, no matter how much freedom you have in making real, adult, risky decisions, just know that decisions like getting a face tattoo are rarely a good idea. Just saying, in case you were contemplating.

练习题

In the section about writing with God, which image best describes the role God wants people to take in their own lives?

A. Passive actors waiting for God to hand them a finished script
B. Critics watching life with popcorn and complaining about the plot
C. Writing partners who help create the next part of the story with God
D. Audience members who should not ask questions about what happens next

According to the Wine 101 section, why might someone need to learn how to talk about wine even if they do not want to drink it?

A. Wine terminology proves someone is a professional chemist.
B. Wine knowledge can function as a kind of adult social literacy.
C. Everyone must become a wine connoisseur before adulthood.
D. Drinking wine is presented as the only way to make friends.

Which choice best captures the author’s advice about risks in your twenties?

A. Avoid all risks because freedom is dangerous.
B. Take reckless risks because consequences do not matter yet.
C. Play life small until marriage or children make decisions easier.
D. Use the freedom of your twenties to dream, explore, and take calculated risks.

Which statements accurately reflect the author’s view of actively shaping one’s life with God? Select all that apply.

A. God wants people to ask what they really want.
B. God wants people to help write their own life story with Him.
C. God prefers people to watch their lives passively and complain afterward.
D. Wrestling, dreaming, and even arguing with God can be part of co-creating the story.
E. The author suggests people should never question the direction of their lives.

Which actions or details belong to the humorous “Wine 101” ritual described by the author? Select all that apply.

A. Avoid serving wine in a red plastic cup.
B. Move the wine glass around in three tight circles.
C. Tilt your head at a 20–30 degree angle and nod.
D. Pour wine into a souvenir Medieval Times goblet to seem sophisticated.
E. Use terms such as smoky, dry, floral, cedary, or grassy when discussing wine.

The author suggests that the central question behind a great life story is asking, “What do I really want?”

The Wine 101 section argues that presentation does not matter as long as the wine itself is expensive.

The author’s advice about the twenties combines adventure and freedom with caution against reckless choices, such as getting a face tattoo.

The author says God is not looking for actors; He is looking for writing ___.

How do the author’s ideas about co-writing life with God and using frustration productively fit together?

A twentysomething feels stuck and frustrated with the direction of life. Based on the sections, which response best combines the idea of co-writing life with God and using frustration productively?

A. Ignore the frustration, wait passively for God to change the story, and avoid making decisions until life becomes clearer.
B. Treat the frustration as a signal, ask what you really want, and actively work with God on the next part of your life story.
C. Assume frustration means you made a mistake, stop taking risks, and focus only on avoiding discomfort.
D. Distract yourself from frustration with entertainment so you do not overthink the future.

The sections suggest that because life in your twenties is an adventure, you should use that freedom to take calculated risks rather than play it small or make reckless choices.

Which actions best combine the section on wine as adult social literacy with the earlier advice about pursuing friendships and community after college?

A. Learn enough wine-related social cues to participate more comfortably in adult gatherings.
B. Join groups or communities where relationships can develop instead of trying to handle adulthood alone.
C. Use intimidating wine terminology mainly to prove you are superior to other people.
D. Prioritize relationships and show up in social spaces where connection can happen.
E. Avoid all social situations unless you already feel like an expert.

How does the idea that God wants “writing partners” connect with the warning about complacent cultures that resist new ideas?

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